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Portraying a relationship onscreen is different from living one out in real life.
To some extent, you can’t help who you’re attracted to (though I would argue politics play out in our dating lives both consciously and subconsciously), but you can decide the kinds of relationships you write.
These women provided an avenue to achieving the “American life,” or simply breaking free from stereotypes.
They make their way through countless south Asian women only to land back on the white women they were in love with the whole time.
Every single brown woman who was paraded across the screen as part of an endless lineup of suitable girls ended up an anonymous, unnamed, and crumpled footnote in the story.
While Sidiquee eviscerated the genre of “Diaspora South Asian Dude Does Rom-Com” in his essay by delving into the specifics of how men like Aziz Ansari, Hasan Minhaj, and Kumail Nanjiani (with slight mention to Ravi Patel from Meet the Patels) can rise high enough to be the leading men of their own romantic stories (Master of None, Homecoming King, and The Big Sick, respectively) by dating white women, he doesn’t focus enough on the politics of these relationships.
Interracial dating has been a facet of living in the diaspora for ages.