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These observations therefore attest to the fact that the signature is contemporary with the painting.

An overall examination of the painting under Woods light showed up a little number of restored areas, particularly to the upper right in correspondence with the sky: in fact under Woods light these areas appear as dark patches. 10 taken with the help of specific filters and subsequent digital elaboration.

As a consequence a section of the trade rejects scientific methods out of economic necessity.

Having thus ascertained that at least the two side strips of the stretcher are unquestionably original and coeval with this painting, we proceeded to date them scientifically.

The spectroscopic analysis of the wood gave the following results: Many areas of the painting evidence a deep, extensive craquelure.

Moreover, the fact that the position of these cracks corresponds to that of the inside corner of the current stretcher is further confirmation that the side strips are definitely original.

When pressure is applied by a special instrument (durometer) on the paint layer, which is fairly hard as a result of the drying of the paint binder and the colours, it tends to crack rather than warp.

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It is senseless to content oneself with the personal opinions of experts alone in this age of technology and science.

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